By: Mahon McGrath
K&L Staff Member
This whiskey is an act of historical imagination. It joins a small number of commercially available whiskeys, such as Anchor Distilling's Old Potrero bottlings, that attempt to replicate the American whiskeys of an era long gone. I say imagination because, from what records have come down to us, the heterogeneity of whiskey in olden days, even from within a given time and place, is its chief feature, so some selectivity is naturally required.
That said, you really can immediately taste and smell how different the Leopold Bros. whiskey is from the vast main of modern American whiskey making. The nose comes across like an eau-de-vie of grain. The grain shows prominently on nose and palate, somewhere between fresh corn meal and a toastier, popped corn note. The rye in the mash seems mainly to keep that from becoming overwhelming, giving it a little dimension, without showing up prominently itself. A sweet fruit component plays counterpoint and in the background are soft vanilla and caramel notes.
Texturally, this feels closer to cognac than bourbon. It has the softness of cool silk being drawn over your skin and this in a younger whiskey(while there is no age statement, but I don't reckon this spent too many years in barrel). Most young whiskeys only wish they were this smooth; heck, so do some older whiskeys.
What to do with it beyond sipping might require a little experimentation. A mint julep worked brilliantly, a manhattan less so. TKO by Carpano Antica in the first round; I think the vermouth has more vanilla than the whiskey does.
All said, this does not simply carve itself a niche within an existing distilling tradition but re-invigorates and enlarges the possibilities inherent in American whiskey making by harkening back to the methods employed in the industries youth. As such, it makes interesting drinking for that reason alone. Of course, history aside, it doesn't hurt that it tastes great, too.